Nouvelle génération du boitier Avid Artist | DNxIQ et version Avid Media Composer 8.8.3 associée pour bénéficier de ces nouvelles possibilités : liaison en Thunderbolt 3; Monitoring en 4K et surtout le retour de la fonction Universal Mastering lié à l'option Symphony permettant de sortir en temps réel à partir d'une seule timeline de montage, un master dans différents formats. CTM vous propose aussi un Tarif de lancement promotionnels sur ces nouveaux Bundles :
Avid Artist | DNxIQ Unveiled for 4K Monitoring and Universal Mastering :
Nouveaux Bundles Promotionnels validité 30 Juin 2017 pour assurer le lancment de cette nouvelle interface Avid :
TARIF PROMO :
- Artist | DNxIQ and Media Composer 4 299 € HT
- Artist | DNxIQ with Media Composer (Dongle) 4 679 € HT
- Artist | DNxIQ Boitier seul 3329 € HT
- Avid Nitris DX or Mojo DX Trade-In for Artist | DNxIQ 2969 € HT
Communiqué de presse Avid en Anglais NAB 2017 :
- Next-generation video/audio interface offers extensive format support, including 4K monitoring and universal mastering capability, to enable video professionals to quickly and easily meet today's varied content demands and wide-ranging delivery requirements
- Avid®, a leading global media technology provider for the creation, distribution, and monetization of media assets for global media organizations, enterprise users and individual creative professionals, today announced the availability of Avid Artist | DNxIQ, a new hardware interface that delivers extensive format support, from SD to 4K. Part of Avid's commitment to offering the most comprehensive set of tools and workflow solutions to create, distribute and optimize media, Avid Artist | DNxIQ enables video professionals to quickly, easily and efficiently respond to rapidly changing content demands and delivery requirements driven from an ever-expanding range of channels and devices that today's content needs to feed.
"Video professionals today have to turn more content around faster to more devices than ever before. And the seemingly unending proliferation of video formats can make this a real challenge," said Dana Ruzicka, chief product officer, Avid. "With this in mind, Avid Artist | DNxIQ is built to handle any project that walks through the door - SD all the way to UHD, 4K and beyond. It features the most popular connection types encountered in a professional facility, and through its real-time Universal Mastering technology, it can easily deliver final masters for virtually any format and market."
- Built in partnership with Blackmagic Design, Avid Artist | DNxIQ provides broad format support in a sleek yet sturdy configuration that enables users to work more flexibly and creatively. Thanks to the openness of the Avid MediaCentral® Platform, the industry's most open, tightly integrated and efficient platform designed for media, Avid Artist | DNxIQ is compatible with any Avid Artist Suite solution and many third-party creative tools—including Blackmagic DaVinci Resolve, Apple Final Cut Pro X, Adobe Premiere Pro CC, and more.
- "Since the launch of Avid Artist | DNxIO two years ago, we've continued to work closely with Avid as an Alliance Partner, and are excited to launch Avid Artist | DNxIQ," said Grant Petty, founder and CEO, Blackmagic Design. "Our companies are at the forefront of high-resolution technology, and we're proud that together we're able to offer video professionals these amazing integrated solutions for creating greater-than-HD media."
- Avid Artist | DNxIQ's Universal Mastering feature perfectly complements Avid's Media Composer® | Symphony Option, providing real-time format and frame-rate conversion on output and playback. The new interface supports SD, HD, 2K, UHD and 4K ingest, monitoring and output. As well as supporting all major NLEs, it also supports Thunderbolt 3 and PCIe for Mac and PC.
- HARDWARE SPECIFICATIONS
| SUPPORTED MEDIA | |
| Video formats | SD—PAL (625, 50i, 576p), NTSC (525, 29.97i, 480p) HD—720p (50, 59.94, 60), 1080i (50, 59.94, 60), 1080PsF (23.98, 24, 25, 29.97, 30), 1080p (23.98, 24, 25, 29.97, 30, 50, 59.94, 60) High-res—2K (23.98PsF, 24PsF, 25PsF, 23.98p, 24p, 25p), 4K (23.98p, 24p, 25p (SDI only)), Ultra HD (23.98p, 24p, 25p, 29.97p, 30p, 50p, 59.94p, 60p) |
| Audio sample rate | 24-bit, 48 kHz (television standard) |
| Supported color spaces | YUV 4:2:2, RGB 444, REC 601, REC 709, REC 2020, P3; 12-bit (SDI) or 10-bit (HDMI) color precision with 3D LUT support |
| VIDEO CONNECTIONS | |
| SDI video input | Two 12 Gb/s and two 3 Gb/s connectors (SD/HD/2K/UHD/4K) — supports single, dual, and quad link inputs (4:2:2 / 4:4:4); 2D/3D switchable |
| SDI video loop | 4 x reclocked SD/HD/2K/UHD/4K linked to corresponding inputs |
| SDI video output | Two 12 Gb/s and two 3 Gb/s connectors (SD/HD/2K/UHD/4K) — supports single, dual and quad link outputs (4:2:2 / 4:4:4); 2D/3D switchable |
| SDI video repeated output | 2 x 12 Gb/s and 2 x 3 Gb/s SD/HD/2K/UHD/4K. Supports single, dual and quad link outputs (4:2:2/4:4:4); 2D/3D switchable |
| Analog input | One Component YUV via three BNC connectors (SD—YCbCr; HD—YCbCr/RGB); one composite NTSC/PAL via one BNC connector (SD) |
| Analog output | One Component YUV via three BNC connectors (SD—YCbCr; HD—YCbCr/RGB); one composite NTSC/PAL via one BNC connector (SD) |
| Digital I/O | Two optical I/O supporting 3Gb/s and 6Gb/s, 12Gb/s coming soon (modules not included) |
| HDMI I/O | HDMI 2.0 type A connectors |
| AUDIO CONNECTIONS | |
| Analog input | Four channels of professional balanced analog audio input via XLR; two-channel RCA input; one front-panel mic input via XLR with 48V phantom power |
| Analog output | Four channels of professional balanced analog audio output via XLR; stereo headphone output with volume control |
| Digital I/O | Two channels of unbalanced AES/EBU I/O, with sample rate conversion, via BNC connectors; eight channels of HDMI I/O embedded in SD, HD, UHD, 2K, and 4K |
| SDI I/O | 8 input and 8 output audio channels embedded in SD; 16 input and 16 output channels embedded in HD, UHD, 2K, and 4K |
| HOST CONNECTIONS | |
| Computer | One Thunderbolt 3 (cable sold separately), one PCI Express (card/cable sold separately) |
| Device control | Two Sony-compatible RS-422 deck control ports |
| HARDWARE SCALING/PROCESSING | |
| Down conversion | Built-in, high-quality hardware down conversion—Ultra HD to 1080 HD, or HD to SD on SDI B and SD on Component and NTSC/PAL; switch analog video to Component and choose HD or SD output; selectable between letterbox, anamorphic 16:9, and center cut 4:3 styles |
| Up conversion | Built-in, high-quality hardware up conversion—SD to 720 HD or 1080 HD on playback; selectable between 4:3 pillarbox, 14:9 pillarbox, and 16:9 zoom; HD outputs via HD-SDI, HDMI, and component analog |
| Cross conversion | Built-in, high-quality hardware cross conversion—720p to 1080i and 1080i to 720p on playback |
| Other hardware conversion | Colorspace conversion |
| Real-time keyer | Alpha channel over video or matte, or frame buffer over incoming video or matte |
| 3D processing | Frame-compatible/frame packed |
| Codec support | Onboard DNxHR encoding for capture workflows (requires Media Composer 8.4.5 or higher, or a software application that has enabled this capability).* |
| ADDITIONAL FEATURES | |
| Clock source (selectable/detectable) | Genlock/Reference Clock (BBG or Tri-level), Genlock/ Reference Clock output/pass-through (BBG or Tri-level), SDI (SD and HD), AES/EBU, HDMI |
| Timecode I/O | One XLR Timecode input, one XLR Timecode output |
| Ancillary data support | SDI VITC reader, RP188, NTSC closed captioning, HD-SDI closed captioning, pass-through all (HD, 4K) |
| ADDITIONAL SPECIFICATIONS | |
| Power supply | Two built-in international AC power supplies with IEC C14 inlet (120–240V, 50–60 Hz) |
| Operating temperature | 32°–104° F (5°–40° C) |
| Storage temperature | -4°–113° F (-20°–45° C) |
| Relative humidity | 0–90% non-condensing |
| Dimensions (Width) | With rack ears: 19 inches (482 mm); without rack ears: 16.5 inches (420 mm) |
| Dimensions (H x D) | 3.5 (2RU) x 9.5 inches (88.4 x 242 mm) |
| Weight | 3.9 kg |
Parmi les nouveauté importantes de Avid Media Composer annoncé au NAB, il y a le retour de l'Universal Mastering lié à l'option Symphony et au nouveau boîtier Avid DNxIQ.
Cette fonctionnalité permet de sortir en temps réel, à partir d'une seule timeline, un master dans différents formats (taille et nombre d'images par seconde).
Pour plus d'informations sur les conversions de formats possibles, voir : Site AVID
Cette fonctionnalité s'appuie sur la technologie du Teranex de BlackMagic Design : voir site Black Magic
Voila aussi un screenshot d'une version MC 8.8.3 connecté avec un Avid Artist DNxIQ :
Les nouveautés Avid Media Composer version 8.8.3 - Communiqué de presse Avid NAB 2017 en Anglais
Avid Media Composer v8.8.3 will be released this Wednesday, May 10th at 12 PM EDT. This update will be made available from Avid Master Accounts, Application Manager, and the Avid Download Center (login and password required).
This update provides support for the Avid Artist | DNxIQ, the next generation of hardware I/O for Media Composer.
- Avid Artist | DNxIQ works with the tools customers prefer to use, including Media Composer, Blackmagic Design DaVinci Resolve, Apple Final Cut Pro X, and Adobe Premiere Pro CC
- Quickly and easily ingest, monitor, and output SD, HD, 2K, UHD, and 4K media
- Connect to the latest Mac and Windows computers with support for both Thunderbolt 3 and PCIe
- Quickly cross-convert formats and framerates on baseband output SDI, HDMI, and analog connections with Universal Mastering (Media Composer | Symphony Option is required)
Avid Media Composer 8.8.3 also includes a number of bug fixes, including :
- In some instances, when rendering during a Send to Playback, the system would hang.
- (List Tool) In some instances, generating a Change list crashed the editing application.
- You might have received an "errcode:-43" error when exporting a custom QuickTime movie to mapped network drives.
- You might have received "An unexpected error occurred while importing the QuickTime Audio Tracks" error when importing a QuickTime movie.
- The pixel aspect ratio and raster dimensions of large files differed depending upon if they were linked or imported.
- The arrow keys and Enter key did not work after exiting from Edit mode using Enter on the numeric keypad.
- In some instances, custom bin metadata was being overwritten.
- Motion Effect output changed when committing Multi-cam Edits.
- How to obtain the Media Composer 8.8.3:
- The latest update to Media Composer will be made available this Wednesday, May 10th at 12 PM EDT.
- Customers who have already installed the latest version of Media Composer will be notified of the availability of the upgrade via the Application Manager. The Apps tab will also provide a link to download and install the update when desired.
Customers on current Upgrade & Support plans can download the Media Composer 8.8.3 update either from their Avid Master Account or the Avid Download Center (login and password required.)
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